The Symbolic Nature of Sacrifice and Transformation in Kafka’s "The Metamorphosis"
“The Making of an Allegory,” by Edwin Honig and “Franz Kafka’s ‘Metamorphosis’ as Death and Resurrection Fantasy,” by Peter Dow Webster illuminate how sacrifice and transformation are a vital part of the deeper meaning of "The Metamorphosis." Gregor Samsa is an ordinary young man until he wakes up one day as a giant vermin; metamorphosised into something horrendous and reviled by the world. Through Honig’s and Webster’s critical essays, this transformation, as well as many more, and sacrifice made by all involved are explored in a thorough and definitive way. In “The Making of an Allegory,” Honig illustrates how the family structure is altered and strengthened by Gregor’s transformation and, in turn, his seclusion. Honig’s syntax defines
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Webster’s description of the transformations that occur in the characters serves as a metaphor to everyone else in the real world; major events in your life will bring out your true colors and display you for who you are. In Honig’s “The Making of an Allegory” and Webster’s “Franz Kafka’s Metamorphosis as Death and Resurrection Fantasy,” both authors analyze the significance and importance of Gregor Samsa’s sudden metamorphosis. The syntax Honig uses gives his essay, as well as the Samsa family’s transformation, a positive spin and depicts how it truly involves the whole family. This is illuminated by the statement “It is as though the family needed first to have [Gregor’s transformation] swallow its own distaste…before finally expressing its own real feelings overtly.” By using words such as “distaste,” Honig informs the reader that Gregor’s transformation was negative, but the effects of it on everyone around him were positive. He includes this with later syntax, recounting “…Gregor’s identity and the problematic