The Relationship Between Punk and Dada

2195 words 9 pages
THE RELATIONSHIP BETWEEN DADA AND PUNK
It is difficult to estimate when people began to create different theories, movements and ideologies with regards to what is positive and negative in the world that we live in. A part and parcel of human nature has always been an individual desire to be a part of the perfect world which unfortunately is mainly stimulated by individuals in power. Therefore this bore a disagreement and critique among minorities and has been exploding over the centuries in different forms of cultural movements. One of the greatest cultural trends began in Zurich and it is known as Dadaism. During World War I a group of individuals created Dada in reaction to what they perceived to be negative and opposite of the
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Marcel Duchamp is a great example in this point, because his ironic piece ‘The Fountain’ 1917(Fig.1) which he signed ‘R. Mutt’, was a controversial and provocative way of using a urinal in response to that question. Duchamp’s work not only showed groundbreaking, but it opened people’s eyes that art is not only classic and traditional. It is an awareness of what art is and could be. Dadaism influenced Punk in reflection to their absurdity. Punk artists designed cd covers that reflected the idea of breaking the traditional rules by being experimental with images and text to express political and social views. Photomontage was highly used by both, Dada and Punk. However, it was first used by a German group called ‘Dada’, and later became an inspiration for Punk artists. This involved the practice of cutting and pasting technique for their designs, using materials taken from cardboard, newspapers, magazines, rubbish and anything else that could be inspirational to create a collage.
Fig.3: ’The Beatles-Sgt. Pepper’s Lonely Hearts Club Band’’1968, Peter Blake and Jann Haworth
Fig.2: ‘’Cut with the Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany’’1919, Hannah Hoch
The most famous work done by Hannah Hoch is ‘’Cut with the Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany’’1919 (Fig.2). It shows a mixture of modernism by including a lot of machinery and high-tech items of the Weimar

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